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I
lost my older sister in an accident in
Hawaii
a few days before my seventh birthday. Stacey was my idol and best
friend, and I blamed myself for her tragedy. As early on as I can
remember, I have tried to make up for her loss by being the
“perfect” kid, whether it was for better or for worse.
At
first, I channeled that extra energy into exploring the outdoors,
performing arts, and playing sports. I found solace in travel and
communing with wildlife and nature. I loved to dance and sing, and was
constantly putting on dance shows and one-acts for family and friends.
In grade school, I starred in several musical theater productions. I
downhill ski raced, ice skated, and rode horses competitively. By the
time high school came around, team sports were my main refuge. I played
on the varsity tennis, basketball, and soccer teams. At 16, I was a
starting marking back on the Junior National Soccer Team and was
recruited to play soccer at Stanford.
After
a while at Stanford, however, my focus diverged from sports and I began
to direct my energy toward social work -- particularly internationally.
I spent a summer advising indigenous communities in La Amistad Biosphere
Reserve, Costa Rica, on various environmentally sustainable micro-credit
opportunities available to them, I studied wildlife management and the
culling of big game on a nature reserve outside of Nairobi, Kenya, and I
worked with women in the San Bushmen communities of Botswana to market
and export their environmentally and socially responsible artisan goods.
Upon
graduation from Stanford, I worked in a children’s hospital in
Quito
,
Ecuador
. Soon after, I took a job with Conservation International (CI), a
global environmental organization whose mission it is to protect the
environment for future generations. I joined their enterprise and
corporate partnerships divisions and was able to combine my interests in
business, entrepreneurship, and conservation by providing local
indigenous communities, governments, and multinational corporations with
economic, political, and social incentives to live in harmony with
nature. With CI, I traveled throughout Latin America, Africa, and
Europe
on assignments before returning to Stanford to receive my Master’s in
Business Administration.
While I was really enjoying my
time back at Stanford, I felt my passion for the arts reemerging, and I
started to spend any free time I had in the drama department. I became
aware of a deep compassion and vulnerability I’d garnered during my
humanitarian work that proved fortuitous to my acting and compelled me
to study the craft. Pretty soon, I was taking night classes at
San Francisco
’s American Conservatory Theater. My experience there helped me
solidify a decision I’d been flirting with since my childhood…to
move to
Los Angeles
and pursue a career in the arts. |
I
hadn’t been in
Hollywood
but for a few days before I plunged headfirst into the independent film
community. Because I had carried with me the invaluable experiences
I’d had all over the world with CI, I explored the possibilities of
developing feature film projects focused on strong, complex female
characters in international and minority contexts. My love of
Africa
and my passion for conservation and poverty alleviation throughout the
world inspired me to seek out and develop diverse projects that would
bring awareness to causes worthier than my own.
When
I first moved to
Los Angeles
, certain family and acquaintances urged me to reconsider...Why pursue
such a challenging career at this point in your life?
And, after getting your MBA at Stanford? My answer: they’re all
connected. Arts, politics, humanitarianism, the environment, poverty
alleviation, global peace, homelessness, education, etc…they are all
intertwined.
Hollywood
has a voice. It has a very powerful voice. Is it the smartest, most
informed, purest voice? Certainly not. But its’ voice resonates
throughout the world through modern technology and global distribution
systems. It affects and influences our mindsets and actions every day.
If one can’t beat it, why not infiltrate it. It’s just another means
to an end.
I
feel very grateful to be living this creative life. It’s extremely
satisfying to be able to challenge and stretch myself with new stories,
characters, situations, and roles. I love delving into a character’s
psyche, history, relationships, patterns, motivation, and circumstances.
I love other cultures. I love the mind and how it works. I find myself
in a perpetual state of curiosity about humanity, and acting allows me
to explore it all.
I
love what I do. I love this craft. My life is full. My hope is to move
audiences, to take them somewhere new and far away. I want to encourage
them to ask questions and challenge themselves….to be curious about
life and their role in it. I want them to be inspired enough to leave a
positive mark, no matter how small, on this planet. I believe that we --
on a collective and individual level -- have a responsibility to make
this world a safer, healthier place for future generations. On a
personal level, I think I just want to be the change I know Stacey would
have made in the world.
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